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The use of panels also became a common fashion among monastic complexes, particularly at Bawit and Saqqara, which flourished between the sixth and eighth centuries AD.In the oratories of the cells and in churches, the walls could present up to three tiers of adornment.These images appear before animal and vegetal backdrops.The poses and faces of those depicted within this monument, as well as the folds of clothing treated in a simplified manner, place the images in the Byzantine context of the fifth or sixth centuries.Created towards the end of the third century, they no longer exist, but we know something about their theme.At Karmuz, there was a semi-circular apse within the antechamber that probably served as the Christian sanctuary, or chapel.

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Other scenes in the chapel, most often rapidly sketched, include Old Testament themes such as the sacrifice of Abraham, Daniel in the lions' den and Noah's ark, among others.Some of the oldest extant Christian art in Egypt can be found in the area of Bagawat in the al-Kharga Oasis in the Western Desert.The paintings in the various chapels and tombs of this region display a notable change from the earlier work in Alexandria, as well as an expansion of the iconographic repertory.With the creation of Alexandria in 332 BC, Hellenization came to Egypt, together with first the art of the Greeks, and then that of the Romans, which began to overlay that of the more ancient Egyptian styles.It was in this setting that Christianity arrived in Egypt and it was here that the rich flavor of Coptic (Egyptian Christian) art evolved.

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