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This is music of the past, present, and future — a boundlessness earned and not bestowed.

One Lost Day has a feeling of music composed across time, not just in time.

Here, the narrator is the observer reflecting on the tender recklessness of neighborhood kids, killing time in an abandoned copper mine, waiting to flee the confines of their small world, raging and hoping and "fishtailing in the dark from the time that they are born." But the song is infused with new meaning in the juxtaposition of the boys' lives with Ray's father's long-ago Florida boyhood — so similar in its restlessness, its sweet violence.

Circularity rings like a keening bell, dazzling and devastating.

I was deeply affected by his death, but also know that addiction seldom spares the user.

It is a song about the desperate attempt to leave a bad situation where no amount of anything is ever enough." The elegiac, stripped-down sound pairs beautifully with tender lyrics that recognize addiction not as a denial of life, but as a dangerous insatiability for life ("Killing yourself to keep from running out of life") — turning the conventional addiction narrative on its head.

"I’d rather have the strength to see through the lens of reality than rose-colored glasses," Ray says in reference to the raucous, rollicking "Happy in the Sorrow Key." "Musically, I was inspired by the feel of Paul Weller and The Jam, but then I also wanted this big orchestral bridge to mirror the feeling of lying in my bunk at night on the tour bus and drifting off to sleep — scared but in awe of the process of life." The dissonance between the plaintive lyrics and the quick-tempoed, lush instrumentalism nails the ambiguity of the emotion, while also managing to create a rock song that is both fun and dirty.

"Fishtails" tackles similar themes — loss of innocence, coming of age — but through a much different lens.Louis cemetery in "Elizabeth," the "sunny twist of Venice Chez Jay" in "Southern California is Your Girlfriend," and the devil-spawned Angola prison in Louisiana where three black men sat wrongly convicted for decades, confined in solitary.The dirge-like ballad "Findlay, Ohio 1968" opens with a searing string and piano arrangement that feels like slipping through a tear in the space-time continuum.The album maps the dim corridors of the heart and mind, lifting and landing the listener across state lines and continents.Place is a character rich in the universal specific: "Boots on a board in a barn" in "Texas Was Clean," boys "under the bridge on the river shoals off GA 9" in "Fishtails," the New Orleans' 1788 fire and the fence around the St.

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